I had a bit of a Couture thing going last weekend and ordered half a dozen books on Haute Couture and Historical Fashion from the library (God bless public libraries).
BTW did you know the difference between Haute Couture and Couture? For a fashion house to call its garments Haute Couture it must follow the rules laid down by the Paris Chamber of Commerce which are –

  1. Design made-to-order for private clients, with one or more fittings.
  2. Have a workshop (atelier) in Paris that employs at least fifteen people full-time.
  3. Each season (i.e. twice a year) present a collection to the Paris press, comprising at least thirty-five runs/exits with outfits for both daytime wear and evening wear.

When selected they then become members of the Chambre Syndicale de la Haute Couture. What an excellent way to keep skilled embroiderers, hat makers etc in work. I wonder if British couturiers do the same sort of thing.

Anyway, back to the books. Whilst leafing through them and salivating over the beautiful outfits I came to the conclusion that modern fashion designers could learn a thing from the old Masters. I fell in love with this coat (made in 1919) from Paul Poiret.
Paul Poiret Coat
It’s stunning. The cream design down the front is leather filigree and hand sewn to the coat. The collar is fur which is not so nice. I was thinking that something like this could be recreated – machine embroidered design on the front with a thick man made fleece fabric for the collar. The more I looked at it the more I felt the urge to make a tribute coat, so now I am looking around to source fabric and suitable designs for the front………watch this space.

Elsa Schiaparelli also knew a thing or two about embroidery. At the height of her fame in the late 30s to early 40s she was producing beautiful pieces like these. My favourite is the Elephant Embroidery. She was a designer ahead of her time.

Elsa 4

elsa3
elsa2
elsa5
And what about this from 1951 – a ball gown designed by Jacques Fath.
Working Title/Artist: Ball gown Department: Costume Institute Culture/Period/Location:  HB/TOA Date Code:  Working Date: ca. 1951 photographed by mma in 1995, transparency 3c scanned by film & media 4/30/04 (phc)
Must go now before my sweaty palms ruin these lovely books. Also I’m just about to take delivery of the book “The Collection of the Kyoto Costume Institute.” Be still my beating heart!

Kyoto Costume Institute

Slainte

Linda xx

3 Thoughts on “Grand Designers”

  • Still standing Maggie! Say thanks to your kitties for their purrs and head bops, my 3 send nose to nose kisses back! Went through a real tired phase as the radiotherapy caught up with me, but getting energy back and having loads of walks along the beach. Loads of birdies at the feeders now getting food for their young. My little Goldcrest is back so hopefully she has a nest and little ones to fledge. Looking forward to the Great British Sewing Bee coming back to tv on Monday. I missed the application deadline by one day!! Grrrrr!!

    Will pop by your blog later to get your news.

    Love from me xxxxxxxxxx

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